antique georgian intaglios

Antique Georgian Plaster Cameo Portrait of Pan Faunus

Profile Portrait of God Pan Faunus, Antique 1820s Georgian Period Plaster Cameo, Small Oval Cameo with Neoclassical Art, Vintage Grand Tour of Europe Souvenirs, Victorian Antiques and Collectibles for Home Decor, Ancient Greek Mythology, Pagan Rome Artworks

Very old and excellent crafted Cameo devoted to a mythological figure of God Pan or Faunus, according to representations located in Villa Ludovisi in Rome. These are the original genuine plaster intaglios made circa 1820 by John Tyrrell or  probably by James Tassie. These intaglios came in there original wooden stacking trays and are very clean even if a few have rubbing on there high points. All gilt paper wrapped and numbered as they should be. Measures as shown 1 inch or 25mm approximate.


In ancient Greek religion and mythology, Pan is the god of the wild, shepherds and flocks, nature of mountain wilds, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. The ancient Greeks also considered Pan to be the god of theatrical criticism. The word panic ultimately derives from the god's name.


In Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna; he was also closely associated with Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in the Romantic movement of western Europe and also in the 20th-century Neopagan movement.


 Antique 1700s - 1800s Grand Tour of Europe Souvenirs in the form of plaster cameos. Very impressive small intaglio cameos usually with ancient Greece or Rome thematic. Made in Georgian Era and sold as memorabilia in museums of London at the period. 
Beginning around 1650, young aristocrats embarked upon a rite of passage known as The Grand Tour of Europe, to enrich their education in Art, Architecture, Classic History, Languages, and Classic Culture. With virtually unlimited funds, they traveled throughout the European continent and very specially the Mediterranean area of it, commissioning paintings, purchasing antiques (also forgeries), and taking lessons of diverse kinds usually a mere pretext to enjoy the nice sunny weather and a truly intense social environment. A tour of this nature might include London, Paris, Switzerland, and particularly Italy (Turin, Florence, Pisa, Padua, Bologna and Venice), but sometimes it was happily extended to Greece and coastal cities of the Ottoman Empire. Ample time was spent in Rome to study the classics, then on to Pompeii, the Vesuvius, and Naples and it surroundings. Longer sojourns might include also Germanic and Russian sites like the city of Vienna, Dresden, Munich, Flanders and St Petersburg. By 1840, advancements in rail transportation opened touring to the upper class, even including young women, as we saw in E. M. Forster’s novel "A Room with a View".


Easily transportable keepsakes included intaglios carved from precious stones. Originally used to impress wax seals on letters and documents, the finished impression resembled a cameo. When intaglios became popular with tourists, artisans quickly perfected a method to produce inexpensive copies made from glass paste. Very popular among students with lower wallet resources, the plaster version of the cameos enjoyed a pike of its popularity when museums all across Europe started selling them as souvenirs. The reproduction of fine gemstones cameo treasured by the cultural institutions not only provided income to them but also contributed to the popular recognition the museums and collectors, working as an affordable and easy marketing campaign. Unfortunately many of the plaster cameos never survived to long and having them alive 200 years later is a total act of heroism. 


All measurements provided are approximate.


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