Portrait of a Nymph Antique 1800s Georgian Plaster Cameo
Portrait of a Mythological Nymph from Villa Albani Torlonia, Antique 1800s Georgian Period Plaster Cameo, Small Oval Cameo with Neoclassical Art, Vintage Grand Tour of Europe Souvenirs, Victorian Antiques and Collectibles for Home Decor
Very old and excellent crafted Cameo devoted to ancient greek and roman mythology, in this case the cameo shows a Nymph from the Villa Albani Torlonia. These are the original genuine plaster intaglios made circa 1820s by Bartolomeo Paoletti at Piazza del Spagna number 49, Rome Italy. These intaglio numbered 117 came in there original wooden stacking trays and are very clean even if a few have rubbing on there high points. All gilt paper wrapped and numbered as they should be. Measures as shown, 1 inch approximate.
Antique 1700s - 1800s Grand Tour of Europe Souvenirs in the form of plaster cameos. Very impressive small intaglio cameos usually with ancient Greece or Rome thematic. Made in Georgian Era and sold as memorabilia in museums of London at the period.
Beginning around 1650, young aristocrats embarked upon a rite of passage known as The Grand Tour of Europe, to enrich their education in Art, Architecture, Classic History, Languages, and Classic Culture. With virtually unlimited funds, they traveled throughout the European continent and very specially the Mediterranean area of it, commissioning paintings, purchasing antiques (also forgeries), and taking lessons of diverse kinds usually a mere pretext to enjoy the nice sunny weather and a truly intense social environment. A tour of this nature might include London, Paris, Switzerland, and particularly Italy (Turin, Florence, Pisa, Padua, Bologna and Venice), but sometimes it was happily extended to Greece and coastal cities of the Ottoman Empire. Ample time was spent in Rome to study the classics, then on to Pompeii, the Vesuvius, and Naples and it surroundings. Longer sojourns might include also Germanic and Russian sites like the city of Vienna, Dresden, Munich, Flanders and St Petersburg. By 1840, advancements in rail transportation opened touring to the upper class, even including young women, as we saw in E. M. Forster’s novel "A Room with a View".
Easily transportable keepsakes included intaglios carved from precious stones. Originally used to impress wax seals on letters and documents, the finished impression resembled a cameo. When intaglios became popular with tourists, artisans quickly perfected a method to produce inexpensive copies made from glass paste. Very popular among students with lower wallet resources, the plaster version of the cameos enjoyed a pike of its popularity when museums all across Europe started selling them as souvenirs. The reproduction of fine gemstones cameo treasured by the cultural institutions not only provided income to them but also contributed to the popular recognition the museums and collectors, working as an affordable and easy marketing campaign. Unfortunately many of the plaster cameos never survived to long and having them alive 200 years later is a total act of heroism.
All measurements provided are approximate.